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cai ci shi nv hua de yi yun mei
Author(s): 
Pages: 26-29
Year: Issue:  7
Journal: Identification and Appreciation to Cultural Relics

Keyword:  仕女画艺术韵味青花料画中描写对象社会内涵明宣德生活场景明初仕女弈棋图;
Abstract: <正>仕女画在中国传统绘画中属人物画的范畴,它以女性人物为主要描写对象,并以此反映当时的社会内涵,传达特定的艺术韵味和审美价值。仕女画作为瓷器装饰的典型纹样,最早见于唐代长沙窑瓷器,画中女子体态饱满,肌肤丰盈,带有鲜明的唐代仕女雍容华贵、以肥为美的流行风格。宋代因花鸟画的霸主地位,仕女画极为罕见,明清是仕女画的鼎盛时期。明初,受青花料发色不稳的限制,仕女画在瓷器上难得一见。明宣德年开始,各种形式的仕女画在瓷器上广为流行,内容多以反映贵族妇女的生活场景为主。清代,以戏剧人物和神话故事为题材的仕女画大量涌现,并配以诗文题句,图文并茂,使仕女画带有清逸的文人气息。
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