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guan cang da ya zhai ci qi bian wei ( xia )
Author(s): 
Pages: 6-10
Year: Issue:  3
Journal: Identification and Appreciation to Cultural Relics

Keyword:  高足碗画样博物馆藏胎质辨伪永庆长春红彩上主料堆生机蓬勃;
Abstract: <正>二、绘画、胎质的辨别大雅斋瓷器的题材有一个特点,就是以同一画样为蓝本,在多种器形上运用,如藤萝花鸟画样(图12)在高足碗、钵缸、缸等器形上均有运用。这些器物上藤萝的弯须上叶子有两种表现形式:一种是在弯须末梢或距离末梢一段距离侧生出叶柄,其上有几片叶子,叶片以柄为组出现,叶片上主、侧脉都有,描画比较细致(图13);另有一种则只有主叶脉而没有侧叶脉的表现(图14)。不管是哪种表现方式,都是藤条上生出的簇簇紫穗沉垂,藤萝末端弯须蔓生,整个画面显得艳丽而生机蓬勃。本馆所藏的这十件器物中有九件取材于藤萝花鸟画样,与真品相比有几个特征:花叶布局失当,彩料堆滞,笔画偷减,鸟的画法失真。就画工较为精细的粉彩六角花盆来说,花盆上藤
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