The server is under maintenance between 08:00 to 12:00 (GMT+08:00), and please visit later.
We apologize for any inconvenience caused
Login  | Sign Up  |  Oriprobe Inc. Feed
China/Asia On Demand
Journal Articles
Laws/Policies/Regulations
Companies/Products
Bookmark and Share
chuan tong yu fan chuan tong de dian fan mi zuo shu fa yi shu guan kui
Author(s): 
Pages: 26-27
Year: Issue:  4
Journal: Painting & Calligraphy Art

Keyword:  书法艺术宋代唐人书法典范意义基本途径中国历史唐末五代复归自然军阀割据宋太宗;
Abstract: <正> 宋代立国之初,书坛已呈复归晋人的风气。淳化三年宋太宗诏刻《淳化秘阁法帖》,共十卷,二王书占一半,然未收唐人书法,旨在确立二王的典范意义。《淳化阁帖》的出现使宋代书坛找到了一条树立自己书法风貌的基本途径,即融晋唐之风。宋王朝鉴于唐末五代军阀割据的教训,对文人大加优厚,乃至帝王本身也酷爱文艺。这种崇尚文化的风气空前弥漫,使得宋代成了中国历史上文化最发达的时代。同时宋代佛、道思想流行,主张复归自然。反映到书法上便是追求表现一已之意趣,
Related Articles
No related articles found