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zao yi yun bi chen zhu zuo yi mi zuo san guan tie jian xi
Author(s): 
Pages: 24-25
Year: Issue:  1
Journal: Painting & Calligraphy Art

Keyword:  董其昌米芾运笔艺术性书法艺术结字书坛皎然明代用笔;
Abstract: <正> 行书,自从东汉刘德升“以造行书擅名”而“独步当时”(见张怀瓘《书断》)以来,各代都有书法大家相继为之,且能刻意创新,独领风骚。至宋则有“苏、黄、米、蔡”崛起书坛,行书灿烂可观,其中尤以米芾为最。明代书坛巨匠董其昌就曾这样评说:“行书以米元章、颜鲁公为宗”(摘自董其昌《画禅室随笔》)。赵构在《翰墨志》中也说:“芾于真、楷、篆、隶不甚工,惟于行草诚人能品”。由此可见,米芾行书不仅在当时独步,而且也为后代书家所重。《三馆帖》作为米芾行书的大字之祖,其艺术性更是皎然星汉,叹为观止。
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