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shou jin kuan bo cang qiao yu zhuo han li han ren ming shang xi
Author(s): 
Pages: 33-34
Year: Issue:  5
Journal: Painting & Calligraphy Art

Abstract: <正> 东汉是中国书法艺术史上一个极为重要的时代。随着隶书的日渐成熟,加之当时社会镌刻铭之风尚,东汉隶书碑刻达到了相当高的艺术成就。清代著名书法家钱泳说:“篆用圆笔,隶用方笔,破圆为方而为隶书”,一语道破了篆隶笔法之神髓。传世的东汉隶书碑铭极高,大部分是当时坟墓上立的碑、碣(大的称碑,小的称碣——笔者注),或功德颂一类石碑和树立的石表、石阙,也有一些因原石断裂而形成的残石。在这大量的东
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