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dang dai ying yu shi jie de ji lu pian shi jian yi duan li shi kao cha ( xia )
Author(s): 
Pages: 174-178
Year: Issue:  4
Journal: World Cinema

Keyword:  纪录片格式化真实电影范式制片人非职业电视节目变体从业者历史考察;
Abstract: <正>5.4"真实电视"最后,主导的格里尔逊范式的第二个变体的第四个后果,是使得真实电视成为可能,也有从业者称其为"格式化纪录片"。令纪录片圈子感到尴尬的是,鲁什的遗产也包括这一点。正如《夏日记事》,在格式化纪录片中,制片人将被拍摄对象(非职业演员)置于节目设计的情境之中。它可能包含一定程度的自我反射(如《老大哥》[Big Brother]格式允许被拍摄对象直接对着镜头说话)。然而随着真实
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