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dang dai xin vedio yi shu tan xi
Author(s): 
Pages: 84-87
Year: Issue:  2
Journal: Decoration

Abstract: 2000~2010年当代新vedio艺术呈现出平行化的制像方式和微观史的观察视角,是以社会化目标为轴心的视觉展现,其意义的浮现基本都在于对社会转型期间各色人等的细腻描摹,集中凸显的乃是当代中国社会转型的双重维度.从艺术接受的角度来看,这使观者处于一种平面化的、单向度的经验之中,被动地接受形象或拒斥某种意义.这些艺术作品对社会转型的任何肯定性与否定性观点都被缠绕起来,隐匿着重新建构宏大叙事的艺术野心...
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