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min bei min jian wen yi zhi san jiao xi
Author(s): 
Pages: 29-30
Year: Issue:  4
Journal: Fujian Hometown Magazine

Abstract: <正> 在闽北民间,流传一种由花鼓灯与民间小调发展起来的戏种,因早期演员只有"生、旦、丑"三个角色,故称"三角戏",又称"三小戏"。它既能坐唱表演,又能上台献艺,颇受农村群众的喜爱。这种戏种在清康熙、乾隆年间(1662~1795年),由江西赣州、抚州等地传入闽北,流传于邵武、光泽、泰宁、建宁、清流、建瓯等县,并与当地的民间艺术、风俗习惯相结合,形成地方剧种。三角戏有个美丽的传说,相传大约三百年前,在江西铁板桥有一男青年上山砍柴,砍累了,便唱山歌解乏,狐仙被这美妙悠扬的歌声深深打动了,便化成了一美丽女子来与之对歌,从此两人天天对歌不断。有一天,他俩对歌被一老艺人碰到,觉
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