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Cracking, Closing and Surpassing——An Analysis of the Ideology in the Film of Crash
Author(s): ZHANG Bin
Pages: 85-
88
Year: 2008
Issue:
1
Journal: TANGDU JOURNAL
Keyword: 《撞车》; 意识形态; 电影文本;
Abstract: 好莱坞获奖影片历来都是意识形态批评的最佳范本,它往往表征了一个时代的某种精神意向和意识形态的隐秘言说,展现了"腹语术"般的询唤和抚慰功能,在银幕上重新建构了现实世界的秩序,激发人们的认同感.从意识形态理论的视野对奥斯卡获奖影片<撞车>进行了深入分析,揭示了电影文本所蕴含的复杂意识形态言说.
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